Collection: Tajammul Kaleem Books
ਕਮਾਲ ਕਰਦੇ ਓ ਬਾਦਸ਼ਾਹੋ
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Kamaal Karde O Baadshaho Book (ਕਮਾਲ ਕਰਦੇ ਓ ਬਾਦਸ਼ਾਹੋ) – Tajammul Kaleem
Regular price Rs. 149.00Regular priceRs. 175.00Sale price Rs. 149.00Sale -
Yaar Kalima (ਯਾਰ ਕਲੀਮਾ) Book – Tajammul Kaleem
Regular price Rs. 360.00Regular priceRs. 375.00Sale price Rs. 360.00Sale
Tajammul Kaleem Books And Poems
Tajammul Kaleem, a prominent figure in contemporary Punjabi literature, was renowned for his innovative approach to ghazals and his ability to infuse traditional forms with modern sensibilities. Born on March 26, 1960, in the village of Chunian, Tehsil Chunian, District Kasur, Pakistan, he emerged from a humble background to become one of the most respected poets in Punjabi poetry circles. His father, Muhammad Shafi, and mother, Rashidan Begum, provided a nurturing environment steeped in the cultural richness of Punjab, though tragedy struck early when he became orphaned at a young age. This loss, combined with familial disputes over property, forced him to abandon formal education and enter the workforce prematurely, joining the education department to support himself.
Despite these hardships, Kaleem's passion for poetry blossomed, drawing inspiration from Punjab's folk traditions and Sufi poets like Baba Bulleh Shah, who hailed from the same region. His work resonated across borders, gaining popularity in both Pakistan and Indian Punjab, where he was celebrated for addressing social, economic, moral, and human themes with depth and empathy. Kaleem's poetry often reflected the struggles of the common man, blending personal introspection with broader societal critiques. Tragically, his life was cut short on May 23, 2025, at the age of 65, in Lahore, Pakistan, after battling prolonged illnesses, including lung and liver diseases. He passed away at Jinnah Hospital, and his funeral prayer (Namaz-e-Janaza) was held in his native village, Pir Jahanian, Chunian. His death marked the end of an era for Punjabi literature, but his verses continue to inspire generations, echoing the resilient spirit of Punjab.
Early Life and Background
Tajammul Kaleem's early years were marked by both cultural immersion and personal adversity. Growing up in Chunian, a town known for its historical ties to Sufi mysticism, he was exposed to the rhythmic folklore and oral poetry traditions of rural Punjab. The area's proximity to Kasur, the birthplace of Bulleh Shah, likely influenced his poetic inclinations from a tender age. However, the death of his parents left him vulnerable; relatives allegedly seized the family property, compelling him to prioritize survival over schooling.
This period of struggle shaped his worldview, instilling a profound understanding of human suffering and social injustices—themes that would later dominate his poetry. Despite limited formal education, Kaleem was self-taught in literature, voraciously reading Punjabi and Urdu works. His background as a commoner from a modest family allowed him to authentically capture the voices of the marginalized, making his poetry relatable and impactful. By his late teens, he had begun experimenting with verse, finding solace in writing amid life's challenges.
Family and Influences
Kaleem's family life was rooted in traditional Punjabi values, with his parents emphasizing moral integrity and community. The loss of his father and mother not only disrupted his education but also thrust him into the role of breadwinner. Influences from local mushairas (poetry recitals) and the works of classical poets like Waris Shah and Shah Hussain played a pivotal role in honing his craft. These early exposures laid the foundation for his unique style, which modernized archaic forms while preserving their emotional core.
The Pivotal Incident: Challenge from Munir Niazi and Birth of Punjabi Ghazals
A defining moment in Kaleem's career stemmed from an interview by renowned Urdu poet Munir Niazi. When asked why his Punjabi ghazals lacked the popularity of his Urdu ones, Niazi stated that Punjabi lacked the softness, subtlety, and vocabulary needed for the ghazal form—traditionally dominated by Urdu and Persian.
This remark, perceived by many as dismissive of Punjabi's expressive potential, deeply motivated Kaleem. Initially writing Urdu ghazals, he abandoned them upon hearing (or reading) Niazi's comment and declared his intent to prove otherwise. He vowed to demonstrate Punjabi's full capability for ghazal's lyrical depth and emotional nuance.
This challenge became his mission: revitalizing Punjabi ghazal with modern themes while preserving its rhythmic beauty. Kaleem succeeded spectacularly, adding "freshness and newness" to the genre and silencing doubts about Punjabi's sophistication.
How Tajammul Kaleem Started His Poetry Career
Tajammul Kaleem's entry into the literary world was organic, born out of personal necessity and passion rather than formal training. In his early twenties, while working in the education department, he began composing poems as a means of expression. His initial forays were shared at local gatherings and mushairas in Kasur and nearby areas, where his fresh take on ghazals caught the attention of audiences. Unlike many poets who pursued academia, Kaleem's career started amid financial constraints, using poetry as an outlet for his observations on society.
His breakthrough came in the 1990s when he published his first collection, "Barfan Heeth Tandur" (1996), which received acclaim for its innovative language and themes. Encouraged by positive feedback, he continued participating in literary events across Pakistan, gradually building a reputation. By the 2000s, his work had crossed borders, with recitations in Indian Punjab and features in anthologies. Kaleem's career was self-propelled; he balanced his job with writing, often drawing from real-life experiences like poverty and injustice. His persistence paid off, establishing him as a voice for the voiceless in Punjabi literature.
The Writing Style of Tajammul Kaleem
Tajammul Kaleem's writing style is characterized by its modernity within the traditional framework of Punjabi ghazals. He revolutionized the form by incorporating contemporary dilemmas—such as class struggles, identity crises, and moral decay—while retaining the rhythmic elegance of classical poetry. His language is simple yet profound, using everyday Punjabi idioms to convey complex emotions, making his work accessible to the masses.
Kaleem employed metaphors from rural life, like barren fields symbolizing despair or rivers representing flowing sorrows, to evoke vivid imagery. His verses often carry a philosophical undertone, blending Sufi mysticism with social commentary. Critics note his ability to balance intellect and emotion, creating layers that reward repeated readings. Unlike sentimental romantics, Kaleem's poetry is thought-provoking, urging readers to reflect on societal issues. This style evolved over time, from early romantic explorations to mature critiques in later works, reflecting his life's hardships.
Themes in Tajammul Kaleem Poetry
Recurring themes include birha (separation), social injustice, human resilience, and spirituality. Kaleem often highlighted the plight of the poor, critiquing power structures through subtle irony. Love in his poems is not idealized but intertwined with pain and reality, mirroring his personal experiences. Nature serves as a metaphor for inner turmoil, adding depth to his ghazals.
Major Tajammul Kaleem Books
Tajammul Kaleem authored several collections that solidified his place in Punjabi literature. His books, published over decades, showcase his evolution as a poet and his commitment to the language. These works are treasured for their authenticity and have been reprinted multiple times.
Barfan Heeth Tandur (1996)
Kaleem's debut collection, "Barfan Heeth Tandur" (Oven Under the Snow), explores themes of hidden struggles and endurance. It features ghazals that blend winter imagery with emotional depth, symbolizing suppressed pains in society. This book marked his entry as a modern ghazal writer, earning praise for its fresh voice.
Wehray Da Rukh (2010)
"The Tree in the Courtyard" delves into familial bonds, loss, and growth. The title metaphor represents enduring roots amid change, with poems addressing personal and cultural shifts. It reflects Kaleem's maturity, incorporating social critiques alongside lyrical beauty.
Haan Di Sooli (2012)
"Affirmation's Crucifix" is a bold collection tackling truth, sacrifice, and moral dilemmas. Ghazals here are introspective, questioning societal norms and personal integrity. It's noted for its philosophical edge, appealing to thinkers in literary circles.
Cheekhda Manzar (2017)
"The Screaming Landscape" captures chaos and unrest, with verses on conflict and hope. This work highlights Kaleem's ability to address contemporary issues like inequality through poetic lens.
Kamaal Karde O Baadshaho
Published by Autumn Art, Patiala, this collection showcases his mastery, with ghazals praising human wonders amid adversity. It's a testament to his optimistic undertones.
Yaar Kalima
A comprehensive ghazal anthology in Gurmukhi script (transliterated by Jaspal Ghai), published by New Book Company, Jalandhar. It compiles his life's work, making it accessible across borders.
Other mentions include "Tibba Toya Ik Barabar" and "Han Do Suli," focusing on equality and duality.
Iconic Poems of Tajammul Kaleem
Kaleem's poems are jewels of Punjabi literature, often recited at mushairas. Here are some icons in original Punjabi, with contexts and English translations for accessibility.
Din Te Gin Main Mar Jana Ee
This ghazal expresses longing and mortality, using simple imagery to convey profound separation.
ਦਿਨ ਤੇ ਗਿਨ ਮੈਂ ਮਰ ਜਾਣਾ ਈ
ਤੇਰੇ ਬਿਨ ਮੈਂ ਮਰ ਜਾਣਾ ਈ
ਮੈਂ ਗੁੱਡੀ ਦੇ ਕਾਗਜ਼ ਵਰਗਾ
ਤੂੰ ਕਿਨ ਮਿਨ ਮੈਂ ਮਰ ਜਾਣਾ ਈ
ਜੇਹੜੇ ਦਿਨ ਤੂੰ ਕੰਡ ਕਰਨੀ ਏ
ਉਹ ਨੇੜੇ ਮੈਂ ਮਰ ਜਾਣਾ ਈ
ਸੱਜਣਾਂ ਦੇ ਵਿਛੋੜੇ ਵਿੱਚ
ਹਰ ਪਲ ਮੈਂ ਮਰ ਜਾਣਾ ਈ
(Translation: Count the days, I shall die / Without you, I shall die / Like a kite's paper / In which wind, I shall die / The day you pierce me / Nearby, I shall die / In separation from beloved / Every moment, I shall die.)
The full poem continues with verses on inevitable loss, emphasizing birha's intensity.
Akh Kholi Te Dukha De Jaal Vekhe
A poignant reflection on awakening to life's sorrows, critiquing societal traps.
ਅੱਖ ਖੋਲ੍ਹੀ ਤੇ ਦੁੱਖਾਂ ਦੇ ਜਾਲ ਵੇਖੇ
ਜਿੰਦੜੀ ਦੇ ਹਰ ਪਲ ਵਿੱਚ ਗਾਲ ਵੇਖੇ
ਸੱਜਣ ਵਿਛੜੇ ਤੇ ਹੰਝੂ ਵਹਿੰਦੇ
ਦਿਲ ਦੇ ਟੁਕੜੇ ਟੁਕੜੇ ਹਾਲ ਵੇਖੇ
ਬਿਰਹਾਂ ਦੀ ਅੱਗ ਵਿੱਚ ਜਲਦੇ ਰਹੇ ਆਂ
ਹਰ ਸਾਹ ਨਾਲ ਮੌਤ ਦੇ ਖਿਆਲ ਵੇਖੇ
(Translation: Opened eyes and saw nets of sorrows / In every moment of life, saw curses / Beloved separated and tears flow / Saw heart in pieces / Burning in fire of separation / With every breath, saw thoughts of death.)
This poem highlights Kaleem's style of using everyday observations for deeper commentary.
Tibba Toya Ik Barabar
From his book, this poem addresses equality and humility.
ਟਿੱਬਾ ਟੋਇਆ ਇੱਕ ਬਰਾਬਰ
ਮਿੱਟੀ ਵਿੱਚ ਸਭ ਬਰਾਬਰ
ਅਮੀਰ ਗਰੀਬ ਦੀ ਨਾ ਗੱਲ
ਸਭ ਨੂੰ ਮਿਲੇ ਇੱਕੋ ਜਗ੍ਹਾ ਠੰਡਕ
ਜਿੰਦੜੀ ਦੇ ਰਾਹ ਵਿੱਚ ਉੱਚ ਨੀਚ ਨਾ
ਸਭ ਯਾਤਰੀ ਇੱਕੋ ਰਾਹ ਤੇ
(Translation: Hill and pit are equal / All equal in soil / No talk of rich poor / All get same cool place / No high low in life's path / All travelers on same road.)
It critiques social hierarchies, a recurring motif.
Kamaal Karde O Baadshaho
Title poem from his book, praising wonders amid struggles.
ਕਮਾਲ ਕਰਦੇ ਓ ਬਾਦਸ਼ਾਹੋ
ਦੁਨੀਆਂ ਦੇ ਰੰਗ ਵੇਖੋ ਜੀ
ਭੁੱਖੇ ਨੂੰ ਰੋਟੀ ਨਾ ਮਿਲੇ
ਅਮੀਰਾਂ ਦੇ ਭੰਡਾਰ ਭਰੇ
ਪਰ ਪਿਆਰ ਦੀ ਗੱਲ ਵੱਖਰੀ ਏ
ਸਭ ਨੂੰ ਮਿਲਦਾ ਬਰਾਬਰ ਏ
(Translation: You do wonders, O kings / See the world's colors / Hungry get no bread / Rich have full stores / But love's talk is different / All get it equal.)
More poems like "Agge Rog Uladdi Bethan" and "Akh De Athru Pee Puttar" explore disease and maternal sacrifice.
Personal Struggles and Death
Kaleem's life was fraught with challenges, from early orphanhood to financial instability. His job in education provided stability but limited time for writing. Health issues plagued his later years; he battled lung and liver ailments, undergoing treatment at Jinnah Hospital, Lahore. Despite this, he remained active in literary events until his final days.
His death on May 23, 2025, at 65, was a profound loss. Tributes poured in from Pakistan and India, honoring his cross-border appeal. Buried in Chunian, his legacy endures through his poetry's timeless relevance.
Legacy and Influence
Tajammul Kaleem's influence extends beyond his lifetime, inspiring young poets to modernize Punjabi forms. His works are studied in literary circles, with adaptations in videos and recitals. Annual tributes and anthologies keep his voice alive, bridging divided Punjabs. He captured the essence of human endurance, making him an enduring icon.
Conclusion
Tajammul Kaleem's journey from a troubled youth to a literary stalwart exemplifies resilience. His poetry, books, and style continue to enchant, offering insights into Punjab's soul. Exploring his works is a dive into profound emotions and social truths.